La copertina di questo disco è stato un simbolo per il reggae agli inizi degli anni 80, nella sua raffigurazione di un uomo stilizzato che scende le scale rappresenta il poeta che scende nella strada, un declamatore di versi che anticipa di molto il rap americano degli anni successivi e la musica house che è nata dalle radici della musica dub.
Il suono è più costruito ma più ruvido rispetto al precedente e ugualmente splendido Forces of Victory. E forse è proprio questo a renderlo speciale, la voce di LKJ percorre le storie raccontate in questo disco con un pathos che solo il suo carisma può permettersi (andate a vederlo dal vivo per crederci).
Dennis Bovell è in gran forma in un disco dove la Forza della Vittoria racconta l'autarchia dell'Inghilterra dei primi anni 80 con le sue contraddizioni e le sue trasformazioni, l'immigrazione che si porta dietro la cultura del basso, l'amore ironico e impossibile raccontato in Loraine, sino a Inglan is a Bitch, la canzone simbolo di LKJ.
Canzoni:
- Bass Culture
- Street 66
- Reggae Fi Peach
- Di Black Petty Booshwah
- Inglan is a Bitch
- Loraine
- Reggae Sounds
- Two Sides of Silence
Sito Ufficiale: http://www.lkjrecords.com/
TESTI
Inglan is a Bitch
w'en mi jus' come to Landan toun
mi use to work pan di andahgroun
but workin' pan di andahgroun
y'u don't get fi know your way around
Inglan is a bitch
dere's no escapin it
Inglan is a bitch
dere's no runnin' whey fram it
mi get a lickle jab in a bih 'otell
an' awftah a while, mi woz doin' quite well
dem staat mi aaf as a dish-washah
but w'en mi tek a stack, mi noh tun clack-watchah
Inglan is a bitch
dere's no escapin it
Inglan is a bitch
no baddah try fi hide fram it
w'en dem gi' you di lickle wage packit
fus dem rab it wid dem big tax rackit
y'u haffi struggle fi mek en's meet
an' w'en y'u goh a y'u bed y'u jus' can't sleep
Inglan is a bitch
dere's no escapin it
Inglan is a bitch
a noh lie mi a tell, a true
mi use to work dig ditch w'en it cowl noh bitch
mi did strang like a mule, but bwoy, mi did fool
den awftah a while mi jus' stap dhu ovahtime
den awftah a while mi jus' phu dung mi tool
Inglan is a bitch
dere's no escapin it
Inglan is a bitch
y'u haffi know how fi survive in it
well mi dhu day wok an' mi dhu nite wok
mi dhu clean wok an' mi dhu dutty wok
dem seh dat black man is very lazy
but if y'u si how mi wok y'u woulda sey mi crazy
Inglan is a bitch
dere's no escapin it
Inglan is a bitch
y'u bettah face up to it
dem a have a lickle facktri up inna Brackly
inna disya facktri all dem dhu is pack crackry
fi di laas fifteen years dem get mi laybah
now awftah fifteen years mi fall out a fayvah
Inglan is a bitch
dere's no escapin it
Inglan is a bitch
dere's no runnin' whey fram it
mi know dem have work, work in abundant
yet still, dem mek mi redundant
now, at fifty-five mi gettin' quite ol'
yet still, dem sen' mi fi goh draw dole
Inglan is a bitch
dere's no escapin it
Inglan is a bitch
is whey wi a goh dhu 'bout it?
Street 66
The room was dark
Dusk howling softly 6 o'clock
Charcoal light
The fine sight
Was moving black
The sound was music mellow steady flow
And man son mind just mystic red, green, red, green
Your scene
No man would dance but leap and shake
That sharp through feeling right
Shape that sound
Tumbling down
Making movement, ruff enuff
Cos when the music met I-tops
I felt the sting, knew the shock, yeah, had to do and ride the rock
Outta dis rock shall come a greener riddim
Even more dread than what the breeze of glory bred
Vibrating violence is our own move
Rocking with green rhythm
The drought and dry root out
The mighty poet I Roy was on the wire
Weston did a skank and each man laugh and feeling irie, dread I
Street 66, the said man said
Any policeman come here will get some righteous, raasclot licks
Yeah mon, whole heapa licks
Ours beat, the scene moving right
When all on a sudden
Bam, bam, bam, a knocking pon the door
"Who is dat?", aksed Weston, feeling right
"Open up, it's the police, come on, open up"
"What address do you want?"
"Number 66, come on, open up"
Weston, feeling high, replied, "
Yes, this is Street 66, step right in and take some licks."
Bass Culture
muzik of blood
black reared
pain rooted
heart geared
all tensed up
in the bubble and the bounce
an the leap an the weight-drop.
it is the beat of the heart,
this pulsing of blood
that is a bublin bass,
a bad bad beat
pushin gainst the wall
whey bar black blood
an is a whole heappa
passion a gather
like a frightful form
like a righteous harm
giving off wild like is madness